form. emptiness / 色. 空 | anothermountainman 又一山人

anothermountainman

visual communicator.
1960 born in hong kong.
he came to international attention with his “redwhiteblue” series,
which he presented at the 51st venice biennale in 2005 representing hong kong.
he was awarded the hong kong contemporary art awards 2012 and
the hong kong arts development awards 2011 – award for best artist (visual arts) in 2012.
his “lanwei” series was collected by M+ museum, hong kong in 2013.

又一山人

視覺溝通人。
1960年生於香港。
曾創作廣為人知的《紅白藍》系列，並以此系列於2005年代表香港參展第51屆威尼斯雙年展。
2012年，獲頒發『香港當代藝術奬』2012及2011香港藝術發展奬的年度最佳藝術家奬（視覺藝術）。
2013年，其《爛尾》攝影系列被香港M+博物館所收藏。

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form is emptiness / 色即是空 / china / 中國 / 2010 / captured scenes

emptiness / 空 / china / 中國 / 2010 / captured scenes

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form. emptiness / 色. 空

artist statement

water calligraphy‭.‬ ‬‬‬‬‬‬
on and off, it has been on my mind
ever since that experienced first-hand encounter
in a guangzhou park many years ago‭.‬‬‬‬‬‬‬

it is truly the most meaningful response
to the form and emptiness of the buddhist‭.‬ ‬‬‬‬‬‬

everything from absence to presence‭,‬ and from presence to absence‭.‬ ‬‬‬‬‬‬‬‬‬‬‬‬

form itself is emptiness‭. emptiness itself is form‭.‬‬‬‬‬‬‬‬‬‬‬‬‬

it is not just its history and humanity,
it is not just its execution and environmentalism,
it is not just the zen-like meditation quality of its practice.

水書法。 
多年前在廣州公園
親歷奇境後，
一直都在我腦裡 
出出入入。

它正是 
佛法中色空 
最微妙的對應。
一切從無到有， 
從有到無。

色即是空。 
空即是色。

不止是
它的歷史和人文。
不止是 
它的經營和環保。 
不止是
它像禪修式鍛鍊。